Review:1917 World War
1917 is a World War I movie about two soldiers,
Blake and Schofield, who are warned by a neighboring regiment not to attack or
they will be trapped and killed by the enemy. you can also find the best
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explore the ocean of entertainment on the website. The story takes place in
real-time. And yes, it all seems to be happening at the same time.
It is directed by talented actors who play
honest and beautiful roles
A technical masterpiece, a captivating wonder,
blah, blah, blah, blah, blah, blah, blah, blah, blah. The conclusion is that
single-screen movies are useless gimmicks unless, like all good movies, they
have a story worth telling and worth telling that way. This film has a real
story driven by talented actors playing honest and beautiful characters, but
the technical aspects also support and enhance the story, rather than detract
from it. Fascinating.
The long-range shots are designed to do
unexpected damage
I've spent a lot of time since August fearing that
the constant camera flash would distract me or, worse, that the creators would
lose interest in the characters and character and focus on showing off the
technical achievements. I shouldn't have worried. To me, this was a Children of
Men-type movie where the long series of intrigues came at the expense of
everything else, but Sam Mendes, of course, was of the opposite opinion.
Anger and Friendship
He uses time constraints as a storytelling device
rather than an artistic device, and I finally understand the value of this
technique. Tracing the journey of two men step by step; the bickering, the
banter, the interruptions, the disagreements and friendship, the heated action, and
the quiet, poignant moments, all compressed into a cohesive space and presented
at a realistic pace, gives a unique sense of connection. Not ten minutes have
passed and you already feel like you know them, and when you can't see their
character traits, like their desires and fears, but have to find them in the
fleeting details of their actions, the reward of insight is even greater.
Its beautiful simplicity but
also imagery
Roger Deakins has created a film that excels at
being distinctive. It is unpretentious and ignores the problems that
undoubtedly existed behind the scenes. This beautiful simplicity is very
difficult to achieve without leaving white areas of the picture that need to be
cropped out. In long takes, it's annoying when the camera has to switch from
person to person during an interview or action, and the slowdown slows the
pace. That's not the case here.
It's interesting and keeps
things moving
The plot, actors, and camera form a triple knot, an
intertwining dance with no clear beginning or end, neither leading nor
following, but with each element supporting and sustaining the others. The
rhythm is incredible. The excitement, the action, and the rush of emotions are
created before our eyes, not in the editing room. I have nothing against the editing,
of course, but it speaks volumes about the dedication and effort put into this
work, which vibrates and moves like any other film where pacing is so important
to creating investment and sustaining attention.
Politely tell the story
They
couldn't afford mistakes, so they certainly didn't make any. After all, what's
the point of creating technical marvels if the story leaves you cold and the
characters remain on paper? What's the point of telling a story with masterful
technique if the audience isn't moved by the sincere meaning? And so we come to
the heart and soul of the film: Schofield, Blake, and two relatively unknown
young actors, George McKay and Dean-Charles Chapman. They are supported by
Colin Firth, Andrew Scott, Mark Strong, Benedict Cumberbatch, and Richard
Madden, who even in such brief roles give the film great depth and detail.
It wasn't a preconceived notion
But
George and Dean always caught my eye, I wanted to see more of them and I wanted
to get to know them better because they are two all-male characters. I've been
a fan of George MacKay for a long time and even sought out his more obscure
roles to see more of his work, but it wasn't prejudiced that made me fall in
love with Schofield's performance. MacKay brings a depth and nuance that fills
every moment. He is not overly expressive, but rather introspective, but his
thoughts are read through an authentic interpretation that can only come from
understanding the character written on the page with a fundamental and deep
empathy.
The film succeeds in entertaining and informing
It
brings both the character and the film to life. Chapman is also involved. You
can see that they feel and think like their characters, they are not just
acting and pretending. They play off each other like razors to reveal each
other's character, in the true British style, by not saying what they really think,
and the subtle details of how they do it make me want to go back and understand
more between the lines. Ultimately, I think the immersive experience of this
film has something to say.
An individual struggles with individual desires
and concerns
I
think it's important to understand what you're immersed in: the perfectly
choreographed dance, the sets, and the actors' shots...... It's impressive, but
when you add the meaning of the dance - its poetry, its humanity, the struggle
of the individual with their desires and concerns down to the smallest detail -
the impressive performance becomes art. You can also check
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ocean of entertainment on the website. And it is in this
art that we are immersed. It is not the quality of the immersion itself, or any
mere technical prowess, that makes this film remarkable; the immersion is
simply the journey we take.
Understanding intangible ideas and stimuli
Just
as we understand the intangible ideas and impulses of Schofield and Blake's
characters by reading beyond the concrete surface of their words and actions,
1917 uses the technical and material language at its disposal to express
intangible truths of the human soul that go beyond what mere words can tell us.
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